Victrola Hi-Res Onyx turntable review: a slick-sounding, slender-looking player with a sweet streaming spin

Victrola Hi-Res Onyx: Two-minute review

The Victrola Hi-Res Onyx is a welcome surprise in this touch-above-entry-level bracket, offering customary entry-level versatility coupled with the form and features of quality manual turntables twice the price. It helps, too, that it looks a bit swankier than most of its competitors.

The Hi-Res Onyx is a highly capable turntable with a built-in Bluetooth encoder, that enables you to cast your vinyl audio out to any Bluetooth device of your choosing. Its Qualcomm aptX Adaptive capabilities up the fidelity factor (hence the ‘Hi-Res’) – making for the slickest wireless audio you’ll have heard in a while. 

The Hi-Res Onyx performs admirably as a straight-up turntable too, with a decent Audio-Technica cartridge and a fine-enough phono preamp built in for ease of use; a toggleable auto-stop protects the condition of your stylus, while counterweight and anti-skate mechanisms let you dial your turntable in perfectly for the protection of your records.

There are some points of friction, from the imprecise counterweight set-up to an ineffectual dust cover, but these are trifles against the greater successes of the Hi-Res Onyx. It’s not quite for everyone, but it does a fantastic job for most – and particularly so for its price. One of the best turntables to have graced our testing process in some time then? You betcha. 

Victrola Hi-Res Onyx review: Price and release date

• $399 / £399 / AUS$625
• Launched on Sept 7, 2023

Victrola has made a point of graduating from the entry level in recent years, with a slew of turntable designs that reach beyond the bedroom bookshelf towards a fertile market of accessible hi-fi record players. This, the Hi-Res Onyx, is a further graduation from a stand-out model with limited reach: the Sonos-compatible Victrola Stream Onyx. 

These stream-y record players join a plurality of designs from manufacturers old and new, all vying for the same hot property in a still-emerging space for the turntable market. The union of analogue and digital is by no means new, but the valuable integration of Bluetooth technology into something like a turntable has proven difficult for many – until, perhaps, now.

Victrola Hi-Res Onyx review: Specs

Victrola Hi-Res Onyx review: Features

• Manual turntable with auto-stop and built-in phono stage
• Bluetooth streaming
• Counterweight and anti-skate

In a welcome break from the vast majority of other Bluetooth-enabled turntables, the Hi-Res Onyx is a calibrate-able two-speed manual turntable, with an adjustable counterweight and an anti-skate mechanism to ensure both pristine playback and the safety of your records. 

This commitment to playability follows in the Hi-Res Onyx’s choice of cartridge, again a step or two above those commonly found on cheaper players. The Onyx comes with an Audio-Technica AT-VM95E moving-magnet cartridge, a budget cartridge on Audio-Technica’s roster but one which delivers excellent sound for its price and against competition. A toggleable auto-stop function further protects your recs, and protects the stylus too.

A lot of manual turntables below £400 would stop here, but the Hi-Res Onyx is made of… more… stuff. There’s a switchable phono preamp built in, allowing you to plug the Onyx into most anything; Victrola are kind enough to supply a high-quality RCA cable with a ground lug, too. The rub of the unit, though, lies in its wireless attributes.

The Hi-Res Onyx is so named for its Bluetooth transmitter, which supports the high-fidelity Qualcomm aptX Adaptive and HD codecs as well as Bluetooth 5.4 and LE Audio. With this mode, you can stream your vinyl audio out to any Bluetooth receiver, be they headphones or speakers in rooms afield. The mode is pretty seamless, in pretty much every sense, being accessed by a single press of the Hi-Res Onyx’s single front-facing button. It’ll pair with your receiver of choice instantly, and automatically re-pair with the same next time you switch modes.

I would switch to Bluetooth for kitchen listening, then switch back to the wired connection on returning to the living-room; the switch-back is immediate and immaculate, with no pops, clicks or abrupt pauses – a genuine and welcome surprise that dramatically improves its practicality.

• Features score: 4.5/5

Victrola Hi-Res Onyx review: Sound quality

• Impressive fidelity
• Rich, fulsome bass
• Occasionally obvious wowing

At this price (and with the right initial set-up), the Hi-Res Onyx is hugely impressive. The relative fullness of the built-in phono pre-amp, the relative quietude of the motor, the relative smoothness of record playback… Relative to players from premium brands, there’s always going to be room for improvement, but relative to other mainstream entrants at this price or even slightly above, ‘impressive’ is the word (and ‘relative’ the second word).

Wye Oak’s Civilian + Cut All The Wires: 2009-2011 double-album is a fave go-to review album, mostly because it’s great but also because there’s a great degree of dynamic shift from song to song. No Words is a plaintive, near-fragile track with lonely electric guitars and a leaping vocal, handled with care by the Hi-Res Onyx; the guitars chime, there’s silk in Jenn Wasner’s voice, and the sparse kit cuts through without pulling focus. 

Electricity, on the other hand, is a rich and boomy hit of maximalist folk-noise – and does a better job of showing the Hi-Res Onyx’s relative(!) shortcomings. Mid frequencies get a little lost in that prominent, fulsome low end, while some treble elements are unwarrantedly boosted; a missing guitar moment here, an over-prominent hi-hat there.

A more ostentatious record, in CANT’s Dreams Come True, speaks more to the Hi-Res Onyx’s strengths. Too late, too far’s booming kicks, searing synths and mounting voices fill the field, well-separated and delightfully wide, while BANG’s stacked line-up of deep subs, shimmering leads and drowned vocals are distinct, legible yet cohesive. However, the quieter last tracks of Side A and B respectively reveal some unfortunate speed dysregulation, as the pianos and broken vocals of (brokencollar) and Bericht warp a little too far for comfort.

The Bluetooth streaming mode, which describes the ‘Hi-Res’ bit of the Hi-Res Onyx (on account of its aptX Adaptive Bluetooth codec support), is innervatingly good. I am usually something of a Bluetooth curmudgeon, but a combination low-difficulty pairing and strikingly detailed sound has won me round. Wye Oak’s Holy Holy is a gratifyingly full-spectrum listen, and there’s nothing missing from the heft Queens of the Stone Age’s Songs For The Deaf – …Millionaire and First It Giveth sounding as bombastic as they always should.

• Sound quality score: 4/5

Victrola Hi-Res Onyx review: Design

• Smart, understated monochrome aesthetics
• Smooth and ergonomic interactivity 
• Cool design forfeits ease of calibration

With regard to setting-up, the Hi-Res Onyx is a relative cinch. Far from the plug-and-play practicality of cheaper units, there is some assembly required – but this is no bad thing. One such assembly step, though, reveals a small sting in the turntable-design tail.

Before we get to that, I’d like to acknowledge the fun of the Hi-Res Onyx’s aesthetic design. Aesthetically speaking, the Hi-Res Onyx is a demure thing. It’s an obelisk of sorts, wedded to matte black and almost impressively so at that. Were it not for the white hairs of the household cat, the Onyx would be a Clarke-ean monolith amidst a sea of kooky mid-century hi-fi furnishings. It’s hard not to use the word ‘sleek’ to death when it comes to designs like this – though I suppose I have now, so there. 

This commitment to ineffable quasi-minimalism leads to some neat flourishes. The tonearm cradle, for instance, is of uniform material, and holds the tonearm in place with a concealed magnet as opposed to a plastic clip. This is swanky – and kinder on the tonearm if you forget to unlatch it before you use the tonearm lift.

Another flourish brings with it a frustrating moment, though. The counterweight is a pleasing object, fastened smartly in place on the tonearm’s rear by a small, knurled grub screw. Indentations on the tonearm’s rear indicate where to affix the counterweight, but they don’t quite corroborate with the recommended tracking force for the cartridge; I had to use a digital tracking force scale to ensure it was set correctly. Pleasing as this counterweight is to handle and place, conventional screw-back counterweight designs (with the numbered calibrator wheel) aren’t as fiddly.

Not to ‘and another thing’ this section, but another, separate, gripe emerges with respect to the dust cover Victrola provides. It’s a smartly-designed, single plastic sheet, moulded to arch over the resting tonearm and conforming with the contour of the platter. However, it only protects the tonearm and platter when the turntable isn’t in use. It’d be nice to have a more conventional kind of lid, particularly for this writer – whose cats pose an eternal and existential risk to the preservation of beloved records in-play. 

The Hi-Res Onyx is smart-lookin’ and smart to use. Where it wins many points for being smooth in style and ergonomics, it unfortunately drops one for occasional impractical awkwardness.

• Design score: 4/5

Victrola Hi-Res Onyx review: Value

• Practical and versatile for its price bracket
• A quietly-featureful bargain

At a shade under $400 / £400, the Victrola Hi-Res Onyx pitches itself a tad above the entry level, putting itself in ‘somewhat serious investment’ territory for the average household. That money, though, is buying you a discrete and practical unit that outplays most in its range.

It’s rare to find such a fully-featured turntable with this kind of tweakability at this price point. The result is something that can work to most hi-fi briefs – a quietly versatile machine that excels in its class. 

Really, this turntable is a bit of a bargain – and straight-up convenient, at least for those who haven’t already poured money into a comprehensive hi-fi system. If you own a phono preamp, you probably don’t need any of this turntable’s flashier attributes, at which point you should be looking elsewhere in the market anyway. For most, then, this is a valuable advancement on the tried-and-tested entry-level formula.

• Value score: 4.5/5

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Victrola Hi-Res Onyx: Also consider

Cambridge Audio Alva TT V2
Cambridge Audio was first to market with an aptX HD-compliant Bluetooth turntable, and it’s a doozy. The Alva TT V2 is pricey, but the price buys you a stable direct-drive record player that looks, sounds and feels a million.
See our full Cambridge Audio Alva TT V2 review

Audio-Technica AT-LP120XBT-USB
Audio-Technica’s AT-LP120XBT-USB is a polymath turntable, with aptX Bluetooth transmission, a USB output for digitising records and a plethora of DJ-adjacent tools.
See our full Audio-Technica AT-LP120XBT-USB review

How I tested the Victrola Hi-Res Onyx

• Tested for 3 weeks
• Used as primary turntable in living-room hi-fi system
• Predominantly tested through Cambridge AV amplifier and Celestion speakers, as well as a Soundcore Bluetooth speaker

The Victrola Hi-Res Onyx became my primary living-room turntable for a month. The RCA outputs fed my dependable Cambridge Audio Azur 540R amplifier and Celestion F1 bookshelf speakers; for Bluetooth, I connected to my Soundcore Motion 300 speaker. I used personal favourite records with which I am intimately familiar, and with which I was able to get a feel for the Hi-Res Onyx’s character both wired and wirelessly.

First reviewed: August 2024

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