Mindshift Backlight 26L review: a lightweight outdoor backpack you can depend on

A versatile backpack with more storage than meets the eye

Mindshift Backlight 26L being worn
(Image: © James Abbott)

TechRadar Verdict

The Mindshift Backlight 26L is designed specifically for outdoor photographers while following a more traditional photography backpack design. This certainly isn’t a bad thing and while it may be substance over style, it’s still a good-looking bag. It has plenty of space to carry the gear outdoor photographers need, including personal items with nine liters of additional space for this. Plus, photo gear can be accessed without fully removing the bag from your body.

Pros

  • +

    Lightweight, tough and comfortable

  • +

    Plenty space for photo gear

  • +

    Waist access to gear via rear entry

Cons

  • -

    Not a modular design

  • -

    Storage for Non-photo items could be better

  • -

    Rain cover is essential in heavy rain

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Mindshift Backlight 26L: two-minute review

Finding the right outdoor backpack for landscape and adventure photography isn’t easy. Sure, there are lots of options available which is no bad thing, but the best camera bag for you ultimately depends on what you need to carry and what features you're looking for. For me, the Mindshift Backlight 26L, which is made by Think Tank Photo, has proved to be one of the best non-modular options available.

This backpack has been around for quite a few years now with no updates in design except for the availability of additional colors. Where many camera bag manufacturers constantly produce new versions to entice extra sales, Think Tank Photo has kept the faith in the Backlight 26L's solid design. I picked one up around seven years ago, it's covered many miles, and it is still holding strong, with what I expect to be many years of life left in it.

As the name suggests, this is a 26-liter backpack, with the main section being for camera gear; enough space for a day's shooting in the hills or at the coast; plus the space needed to carry essential outdoor items such as waterproofs, a large bottle of water or two, a laptop and a tablet, if required. There's also a way to attach a tripod, plus a waterproof cover so everything has been considered, not to mention it has a trick or two up its sleeve.

Mindshift Backlight 26L being worn

(Image credit: James Abbott)

Mindshift Backlight 26L: price and availability

  • The Mindshift Backlight 26L costs around $299 / £289 / AU$440
  • It's available in four colors
  • Still available new despite being on sale for many years

The Backlight 26L certainly isn't a new backpack and has been available for somewhere around 10 years. It's not the least expensive bag of its type either, but it's certainly not style over substance like many modern camera backpacks.

The Backlight 26L costs $299 / £289 / AU$440, but this is a bargain when you consider how tough it is and the many years of faithful service it has the potential to provide. There are also four colours available; Charcoal, Slate Black, Woodland Green and Montane Green.

Mindshift Backlight 26L: specs

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Mindshift Backlight 26L specs

Capacity

26L

Weight

3.9lbs / 1.8kg

Laptop sleeve

Yes, up to 16-inch models

Mindshift Backlight 26L: design

  • Comfortable to wear
  • Useful features for the outdoors
  • Fixed rather than modular design

Many outdoor backpacks these days are modular with the ability to use different camera inserts, such as Peak Design's Camera Cubes; this is to vary the ratio between photo gear and non-photo gear depending on what you're doing. The Backlight 26L follows a more traditional rear-entry design with a fixed, yet configurable camera section, alongside two additional pockets on the front of the bag.

The main front pocket offers a laptop section for up to 16-inch laptops, a 10-inch tablet section and enough space to pack a waterproof jacket, waterproof pants and other items, while the smaller front pocket is ideal for items such as a flashlight and gloves. The space for non-photographic items is nine litres, which is sufficient, although this is much less than the additional space you can enjoy with some modular outdoor backpacks.

On the sides, there are two large water bottle pockets with cinch cords that can carry 32oz / 1 liter Nalgene water bottles – I own one and they fit perfectly. Plus, the side pockets, in conjunction with the adjustable compression straps, can also be used for carrying a tripod. There is also a tripod carrying system that packs away neatly on the front of the bag.

This is a mid-sized backpack that meets airplane carry-on requirements, but it only weighs 3.9lbs / 1.8kg. It's incredibly comfortable to wear and the padded rear panel has an air channel and a lumbar support. The air channel may help on hot days, but it certainly doesn’t stop your back from becoming hot and sweaty. With all of this in mind, it's clearly a bag that's designed for day hikes and shoots because you can only carry essential additional items for the day rather than overnight camping kit.

The manufacturer says that the bag can accommodate up to two mirrorless cameras, 5-7 lenses and a flashgun. From my experience this is true, but it of course depends on the lenses you're carrying and whether or not telephoto lenses need to be laid down in the bag rather than stood up. My standard configuration was a full-frame camera and 16-35mm lens, a second APS-C camera and lens, a 70-200mm f/4, a filter system and accessories, which together filled the camera compartment.

One of my favourite features of the bag is that with the waist belt in use, you can release your arms from the strap and rotate it to your front laid out horizontally. The rear access then allows you to access your kit without putting the bag down, which is fantastic in muddy locations and when standing in water. The back section even has a strap you can hook over the back of your neck to hold the bag open, although you won't often require it.

Additional features include tough water-repellent material that I can tell you from experience will stand the test of time. The water resistance is absolutely fine for light rain shows, but in heavier downpours you will need to use the included rain cover. There are also loops to carry two ice axes or walking poles alongside daisy chain connection points for attaching other items with karabiners or smaller Molle-compatible bags.

I own the Backlight 26L, but there's also the smaller Backlight 16L and the larger Backlight 36L. All three sizes follow the same design but are, as the names suggest, different capacities; the 36L is deep enough for professional cameras with a built-in or attached vertical grip. However, I think the Backlight 26L is the most useful size because it allows outdoor photographers to be able to carry all of the photographic gear they typically need alongside additional outdoor items.

Should I buy the Mindshift Backlight 26L?

Mindshift Backlight 26L with a tripod attached

(Image credit: James Abbott)

Buy it if...

You'd like a lightweight backpack
At just 3.9lbs / 1.8kg, this is a lightweight backpack that's extremely comfortable to wear thanks to the well-padded rear panel with air channels.

You want a bag you don’t have to put down
Gear can be accessed without fully taking the bag off, which can be invaluable when standing in mud or water. Plus, it's useful for city shooting where the rear entry provides security.

Don't buy it if...

You'd like a modular bag
Modular bags allow you to use different inserts/ cubes within a single bag depending on how much photographic gear you need to carry.

You require more non-photo storage
With nine liters of non-photographic storage, if you require more you may be better off with the Backlight 36L or a modular backpack that uses inserts/ cubes.

How I tested the Mindshift Backlight 26L

  • I'm a long time owner, over 7 years
  • I've tested all its features rigorously and adapted the bag to various use cases
  • It's journeyed with me many miles and for multiple types of locations

Having owned the Mindshift Backlight 26L for around seven years alongside other bags I use for different purposes, I've tested it over an extended period where all of its strengths and weaknesses have been exposed. It has been used in all weather conditions in the hills, mountains, at the coast and in the city, as well as being taken on flights as carry-on luggage.

First reviewed February 2025

James Abbott

James Abbott is a professional photographer and freelance photography journalist. He contributes articles about photography, cameras and drones to a wide range of magazines and websites where he applies a wealth of experience to testing the latest photographic tech. James is also the author of ‘The Digital Darkroom: The Definitive Guide to Photo Editing’.

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