Why you can trust TechRadar
Click here to see the full resolution image
Some examples of image smoothing can be when viewing the image at 100%, however at normal printing and web sizes it's not too much of a problem.
Click here to see the full resolution image
Colours are represented well by the Nikon Coolpix P520, being vibrant without being overly punchy.
Click here to see the full resolution image
The wide angle (24mm-35mm equivalent) of the Nikon P520's lens at the widest point of the optic provides a lot of scope for capturing wide-angle shots, such as landscapes.
Click here to see the full resolution image
Macro focusing enables you to get really close to the subject and fill the frame. It also results in a pleasing shallow depth of field effect.
Click here to see the full resolution image
Cross Process is one of the filters that can be found in the Effects section on the mode dial. Compare this image with a standard image shot below.
Click here to see the full resolution image
The same scene as above, but without any filter used.
Click here to see the full resolution image
High contrast monochrome suits a number of different subjects - including, but not limited to, landscapes.
Click here to see the full resolution image
Other creative functions include the ability to capture 16 frames in one shot.
Click here to see the full resolution image
The 24mm end of the telephoto optic enables capturing of a wide-angle of view.
Click here to see the full resolution image
Compared with the far telephoto end of the optic, image stabilisation has also done a great job of keeping everything sharp here.
Click here to see the full resolution image
Similarly, shot at the far end of the telephoto optic, the camera has produced a detailed image with a pleasing shallow depth of field.
Current page: Sample images
Prev Page Noise and dynamic range Next Page Sensitivity and noise imagesAmy has been writing about cameras, photography and associated tech since 2009. Amy was once part of the photography testing team for Future Publishing working across TechRadar, Digital Camera, PhotoPlus, N Photo and Photography Week. For her photography, she has won awards and has been exhibited. She often partakes in unusual projects - including one intense year where she used a different camera every single day. Amy is currently the Features Editor at Amateur Photographer magazine, and in her increasingly little spare time works across a number of high-profile publications including Wired, Stuff, Digital Camera World, Expert Reviews, and just a little off-tangent, PetsRadar.