Olympus OM-D E-M5 Mark II review

This clever 16MP compact system camera can produce 40Mp or even 64Mp images

Olympus OM-D E-M5 Mark II

Why you can trust TechRadar We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.

One of the main attractions of the OM-D E-M5 Mark II is its High Res Mode that enables it to record 40-million-pixel JPEG images or 64-million-pixel raw files. As you might imagine, this isn't completely without compromise. Sensitivity is limited to ISO 100 (the low extension setting) to 1600, the minimum aperture to f/8 and the slowest shutter speed available is 8 seconds.

Olympus OM-D E-M5 sample image

This 40MP shot was captured in-camera, and static subjects like these come out really well.

Click here for a full resolution version.

Olympus OM-D E-M5 II sample image

This blown-up section shows the level of detail in the Olympus's 40MP images.

Click here for a larger version.

The High Res Shot raw files also have to be processed in different software, a free Photoshop plug-in. This is compatible with the 64-bit version of CS5 or newer Adobe Photoshop and will not function properly with a 32-bit version. You don't get the extensive controls that we're used to from Adobe Camera Raw, but aspects such as the exposure, white balance, contrast and sharpness can all be adjusted.

As mentioned previously, it's essential that the camera is stationary and that the subject doesn't move when shooting in High Res Shot mode. Even small movements result in a hatched pattern appearing and/or ghosting in images.

Olympus OM-D E-M5 II sample image

Landscapes are not ideal subjects for the High Res mode because exposures take around 1 second and moving objects won't just blur, they'll also show fine hatching patterns in some areas.

Click here for a full resolution version.

Olympus OM-D E-M5 II sample image

You can see from this blown up section, upper right, that the moving branches have a diagonal striping artefact.

Click here for a larger version.

When the camera and subject are motionless, however, the results are very impressive. As our lab results show, the images have a significant boost in detail resolution over standard size images.

Olympus prefers to refer to the camera as a 40Mp model because the engineers believe that although the raw files open to 64Mp, they only resolve a level of detail that's equivalent to that from a '40Mp camera'. Of course it depends upon what format that camera is; let's not forget that the Four Thirds type (17.3 x 13mm) sensor inside the OM-D series cameras is smaller than both APS-C and full-frame format. But our lab tests show that at the lowest sensitivity settings the E-M5 Mark II can match the full-frame 36Mp Nikon D810 for resolving power. It drops away from the D810 a little as sensitivity rises, but as the camera has to be tripod mounted and the subject motionless, there will be few occasions when sensitivity needs to be raised above ISO 100 or 200.

Olympus OM-D E-M5 II sample image

Standard 16MP resolution. Click here for a full size version.

Olympus OM-D E-M5 II sample image

The 40MP version shows a lot more fine detail. Click here for a full size version.

Olympus OM-D E-M5 II sample image

It's also possible to produce 64MP images from the camera's High Res raw files. Click here for a full size version. Olympus still considers 40MP to be the E-M5 II's effective maximum resolution, however.

Comparing simultaneously captured high resolution files at 100% reveals that the JPEGs look slightly sharper and more natural, which seems to bear out Olympus's decision to limit their size at 40Mp. Nevertheless, at 'Print size' in Photoshop the larger 64Mp raw files look superb.

Olympus OM-D E-M5 II sample image

This 40MP High Res image gives an indication of the kind of detail that can be captured.

Click here for a full size version.

Olympus OM-D E-M5 II sample image

Here's a screenshot showing a blown-up section of the image.

Click here for a larger version.

At 300ppi the standard 16Mp images measure 39.01 x 29.29cm (15.36 x 11.52 inches) whereas the 64Mp raw files measure 78.03 x 58.52cm (30.72 x 23.04 inches). Even the 40Mp JPEGs measure an impressive 61.77 x 46.33cm (24.32 x 18.24 inches).

Latest in DSLRs
Nikon Df DSLR camera on a wooden surface by large window, with dusk light
Forget Fujifilm, I've retested 2013's Nikon Df DSLR and it's the ultimate retro camera for these 6 reasons
Monochrome image of a distant wind farm alongside a Canon DSLR camera in the hand with black background
You don't really need a new camera – a $200,000 photo prize was just won with this old Canon DSLR
Photographer holding the Nikon D800 DSLR camera up to their eye while leaning on a tree trunk surrounded by bluebells
I used my DSLR for the first time in years since switching to mirrorless – here are four things I learned
Two cameras sitting next to each other on a wooden table
If DSLR cameras are dead, why are they still so popular? Here are 5 reasons
Prouct photo of the Pentax K-3 Mark III Monochrome with a 16-50mm f/2.8 attached
Pentax K-3 Mark III Monochrome review: one love
Canon EOS 4000D with 18-55mm lens attached on red background beside a lowest ever price text
This Canon beginner DSLR is so cheap right now it might even tempt you away from mirrorless
Latest in Reviews
WWE 2K25
I've spent days in the ring with WWE 2K25, and it's like a five-star match ruined by the Million Dollar Man
Curaprox Hydrosonic Pro electric toothbrush
Curaprox Hydrosonic Pro review: A powerful seven-mode, Swiss-made sonic brush
Atelier Yumia
I was already sold on Atelier Yumia as an RPG, but I wasn’t expecting it to have my favorite crafting system in all of gaming
Alienware 27 AW2725Q monitor on desk displaying a scene from Cyberpunk 2077
I played games with Alienware's new 27-inch 4K OLED monitor and now I don't want to see another LCD panel
PLAUD NOTE
I tested this AI voice recorder, and now I'll never take meeting notes manually again
SanDisk Extreme PRO with USB4
Testing the new SanDisk Extreme PRO with USB4 SSD proved both challenging and revealing