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Detail is captured very well by the camera's 16 million pixel Four Thirds sensor - examine at 100% to see how fine the detail has been rendered.
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Colours are bright and punchy, without being over the top.
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The 12-32mm f.3,5-5.6 lens is a great kit lens to get you started with - and we can see sharpness across the frame.
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Use Photo Styles to change the colour to monochrome.
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Generally speaking, the all-purpose metering system copes well to produce accurate exposures.
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Another example showing the fine detail the camera is capable of capturing.
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If photographing something with high contrast, you might find that the camera underexposes a touch.
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Images are useable when shooting at high ISOs such as ISO 3200, especially when viewed at normal printing or web sizes.
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A wide range of lenses is available for the Micro Four Thirds including the 25mm f/1.4, which gives an equivalent focal length of the classic 50mm and allows you to create beautiful shallow depth of field images.
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Make a panorama by switching to panoramic mode and sweeping the camera across the frame.
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At the widest point, the 12-32mm kit lens gives an equivalent of 24mm, which is useful for capturing landscapes.
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At its furthest reach, the 32mm is equivalent to 64mm, giving you a decent range of focal lengths in one package.
Photo Styles
These photo styles give different, subtle, looks, and can be shot in raw format.
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Digital Filters
These digital filters can be applied when shooting in semi-automatic and manual modes, as well as via a dedicated filter mode. They can also be used in raw format, giving you a clean version of the image should you need it.
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Amy has been writing about cameras, photography and associated tech since 2009. Amy was once part of the photography testing team for Future Publishing working across TechRadar, Digital Camera, PhotoPlus, N Photo and Photography Week. For her photography, she has won awards and has been exhibited. She often partakes in unusual projects - including one intense year where she used a different camera every single day. Amy is currently the Features Editor at Amateur Photographer magazine, and in her increasingly little spare time works across a number of high-profile publications including Wired, Stuff, Digital Camera World, Expert Reviews, and just a little off-tangent, PetsRadar.