Sony Alpha 3000 review

Mix the build of a DSLT and the NEX E-Mount and you get the Alpha 3000

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Sony Alpha a3000 review
The Sony Alpha a3000 is a DSLT crossed with a CSC

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Sony Alpha a3000

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Shallow depth of field effects can be achieved even when using the 18-55mm f/3.5-5.6 kit lens.

Sony Alpha a3000

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A range of different lenses are now available for Sony E-mount, including a 30mm macro lens.

Sony Alpha a3000

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The 50mm f/1.8 is a good lens for isolating subjects and portraits.

Sony Alpha a3000

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Colours are vibrant directly from the camera.

Sony Alpha a3000

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Switching to sequential shooting allows you to capture fast moving action.

Sony Alpha a3000

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Setting the autofocus point to a different point in the frame allows you to get creative with depth of field.

Sony Alpha a3000

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The Sony's 20.1 million pixel sensor is capable of resolving lots of detail.

Sony Alpha a3000

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Two different types of panorama are available, a standard size and a full 360 degree view. It can be difficult to know exactly what is in frame when shooting a panorama.

Creative Styles and Picture Effects

You can choose to shoot with different Picture Effects or Creative Styles to change the look of your photos. Picture Effects cannot be shot in raw format.

Creative Styles

Sony Alpha a3000

Standard

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Sony Alpha a3000

Vivid

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Sony Alpha a3000

Portrait

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Sony Alpha a3000

Landscape

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Sony Alpha a3000

Sunset

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Sony Alpha a3000

Black and White

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Picture Effects

Sony Alpha a3000

No Effect

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Sony Alpha a3000

Toy Camera

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Sony Alpha a3000

Pop Color

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Sony Alpha a3000

Posterization

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Sony Alpha a3000

Retro Photo

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Sony Alpha a3000

Soft High-Key

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Sony Alpha a3000

Partial Color

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Sony Alpha a3000

High Contrast Mono

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Sony Alpha a3000

Soft Focus

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Sony Alpha a3000

HDR Painting

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Sony Alpha a3000

Rich-tone Mono

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Sony Alpha a3000

Miniature

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Amy Davies
Amy Davies

Amy has been writing about cameras, photography and associated tech since 2009. Amy was once part of the photography testing team for Future Publishing working across TechRadar, Digital Camera, PhotoPlus, N Photo and Photography Week. For her photography, she has won awards and has been exhibited. She often partakes in unusual projects - including one intense year where she used a different camera every single day. Amy is currently the Features Editor at Amateur Photographer magazine, and in her increasingly little spare time works across a number of high-profile publications including Wired, Stuff, Digital Camera World, Expert Reviews, and just a little off-tangent, PetsRadar.